Monday, February 21, 2011

Kathy's Story

The following are a series of interwoven reflections on Mark Romanek’s Never Let Me Go, a tragically beautiful, under-recognized film based on Kazuo Ishiguro’s award-winning novel. I’ve tried my best to foresee the unseen tides.

We’re not immortal. We’re mortal.

By the meadow, Kathy waited. Standing before her, guarding, was a barbed wire fence on which two white pieces of cloth shivered, timelessly, and ricocheted against the metal and against the wind. Far out, beyond the solemn gate of reprisals, were memories of her youth, those which she could see but not feel. Death had taken them from her. Life had, too.

But Kathy waited. She thought that if she waited long enough, that maybe a tiny figure would appear on the horizon across the field and gradually get larger until I'd see it was Tommy. He'd wave. And maybe call.

And if he did? She’d be reminded of all she’d lost and gained. Of how she hoped to lock the treasures of her innermost with her closest, but how time had dwarfed them all. Outplayed them. Outsmarted them. But not outlasted them. Not her. Not yet.

And if he did? Perhaps then her heart would ache stronger than before, and she’d be brave, though wishing furiously that what she had been told could never be true was in fact a lie—that she could get a deferral. That there, then, if she waited long enough, Tommy would come with buckets and shovels and they’d go running down to the beach, sit down and build a castle. And if the waves were conservative and their water on short supply, that the tears they had cried at Hailsham would fill the empty space where passageways and bridges were to be.

If only we could stop the seconds on our mortal clock, then maybe half the tears would go to joy and not to sadness.

To love and not to madness.

It depended on how hard she squinted. Also on Tommy’s ability to rise, resurrected, and return with the hair he had grown at the cottages where paths split and then diverged. And split again and converged. And split a thousand times like blood that spatters and friends that disappear. And splinters. That hurt. But how that pain makes you feel alive and how if you never felt it, you’d be worried.

Time can’t make us happy. A closing window can. If we were given a preview. But what does that tell us about the way we live our lives?

Hailsham didn’t just change them—it was them. Before they were born (if they were ever that), it waited for them. Not across a meadow like a longing or a hope, but across a prison where a guard awaits to escort a new inmate—like a minor, for example, who had been accused of breathing on the wrong street or looking in the wrong direction.

I didn’t know they made laws like that.

They did.

I think Kathy sighed. When she finished, I think she frowned. When she finished, I think she inhaled again. And when she finished, I think she cared, and held on.

It had never occurred to me that our lives, which had been so closely interwoven, could unravel with such speed. If I'd known, maybe I'd have kept tighter hold of them and not let unseen tides pull us apart.




We all complete, no doubt. And maybe we’re all distraught by the time life has lapped us; when we fall down against the barrier gasping for the air we never thought we’d need. But Kathy, if she were with us now, would likely argue that as much as we may often want to look back, or look forward, it may pay more dividends to stand in place. She’d talk to us across the meadow, where her and Tommy would be reunited and from where they would run to the sand and make it into a castle, to compensate for all the years that were taken from them.

Kathy would tell us to live.

No comments:

Post a Comment